Indeed, this scene reinforces this image of grievances that mother in laws nurse towards their daughter in laws and vice versa; the two women are depicted as fierce rivals in numerous occasions. Likewise, even wearing make-up was faced with scorn which further proves the kind of pressure that female women go through in rural households as depicted in the scene. Ismail and Amina Episode 1, After a few moments, they arrive at the well where the women gather to fetch water. The study consisted of an analysis of advertisements, daily and weekly newspapers in all the languages, the two main television channels and the radio stations. Contrary to the first scenes, this one does perpetuate stereotypes; on the contrary, it challenges them.

He says that he does not smell anything bad and that everything is normal and she accuses him of having a nose that does not work properly. This is exemplified when Sfiya sobs with her granddaughters and blames their mother in front of them for putting their father through a lot of misery. During the funeral, as the guests are mourning the dead man, two of the daughters, Bahia and Chama played by Noura Skalli and Samya Akeryou, argue in whispers as the first one blamed the second for not painting the windows properly. Mounia quickly gets angry with him for talking about her sister that way. They are portrayed as showing one face to people and talking bad about them in their back. Mennana, Sfiya and Chama Episode 1, Conclusion The aim of this paper was to investigate the representation of women in the Moroccan.

After a few moments, her face quickly changed and she took a look around and asked the closest woman near her if they had served them food or not.

bnat lalla mennana ep 13 | Fantastique

The first series is Bnat Lalla Mennana which was elected as a practical example of the traditional way in which women are depicted. This is uncannily 23 Dar el Ghezlane, Episode 1 www. It tells the story of Hajj Bahi, the governor of Dar el Ghezlane who is played by the late Mohammed Bestaoui, and how he struggles with his eldest daughter Karima, played by Meriem Zaiimi, who is a feminist in the unlikeliest of places.

Moments later, their sister Rhimou asked them to put mnanna end to it and not to embarrass them in front of the neighbors. Morocco owns 9 free channels, seven of which are owned by the government, one that is privately owned Medi1 TV and one that has mixed ownership 2M 1.


Bnat Lala Menana 10

She checked some of the photos in the album and set it aside, the last item that she found in the box was a letter. This confirms her views on the matter and reinforces the stereotypical tendency of conservative fathers to resort to violence in order to solve family issues instead of more civilized alternatives.

The Hajj, an important man in his village, is portrayed as the typical rural man. The series begins with the death of their father, an event to which Mennana reacted with a surprising composure and asked her daughters not to shed a single tear before the sun rises.

Interestingly, this scene depicts the sudden emancipation that the absence of the father figure leaves. The way he leered mnsna her showed a clear sexual interest or otherwise deep affection.

Mnanz setting in the parliament. As soon as she opened the letter she discovered what seemed to be a will but mnanaa called her before she could read it. Karima confidently declares bjat they are fed up with silence and that God has given a brain to both men and women and the same blood and that they should fight the darkness that resides in the minds of men. She then starts sneering at Hajj Bahi and mocking at the fact that he lwla all these people just to welcome a doctor.

In another demonstration of sheer bravado, Karima publically challenges the authority of the father figure. Younes asks him if he will ever change and says that Dr. She pretends that she is attracted to him and that arouses his suspicions which push him to leave hurriedly.

The theoretical part also tackled the situation of women in the national media episoode presented some studies that dealt with the same issue.

Once again, Karima plays the role of the rebellious older sister who keeps an eye on her younger sister to keep her from doing anything that is against her feminist ideals. She explains that she is pregnant. Then, Mennana asked them to clean the house, lzla it and change the coverings of the guestroom.

Again, Hajj Bahi uses the same techniques to persuade Rachid to marry Karima by praising her cooking abilities even though she did not prepare the tea at all. Women in Moroccan Media First and foremost, it is episove vital importance to shed some light on the the audiovisual bbnat in Morocco. In addition to that, the woman is shown as possessing the cunning and wits to help her escape difficult situation as she fakes pregnancy knowing that it is the only thing that would deter a suitor from taking her as a wife.


Shocked, Rachid tells her that her father had not informed him of her pregnancy. Hanae and introduces himself. After complimenting her on her successful last surgery he wishes that he assisted her.

Aicha Episode 1, She is portrayed as a character that does not shy away from expressing her opinions and demanding her rights in the public sphere even in a community where such a behavior is frowned upon.

Karima zealously expresses that women can work outside, and then they would see if men can take care of the cattle, fetch water and do housework, nurture the children and cook.

She then started gossiping in a low voice and sneering at the daughters telling the other woman that they only appear to be well-behaved whereas in fact they are reckless and immature.

Rhimou was surprised to discover, for the first time, that their episose used to smoke a pipe.

Karima also argues that if the women of the village showed solidarity with each other then no one can touch them. Anis Episode 1, The latter attempts to reconcile between them by saying that Karima regrets her doings but Karima says she regrets nothing.

Furthermore, to highlight the political efforts that have been made in the last years it has been seen fit to incorporate a sitting of the parliament to shed light on the political plans that have been issued to ameliorate the image of women in the audiovisual scene. She refuses to let him marry her by force. However, after Karima leaves the room Mounia reverts to her former state which shows how difficult it is to change some mentalities and that sometimes affection can blind people from such egalitarian considerations.

Karima suddenly walks in and overhears that Mounia asks Youssef about his favorite meals. She told Mennana that if she could not do it for her then at least she should have done it for convenience or for the sake of guests and reputation. Hajj Bahi leaves the house because he has something to do and leaves Rachid sitting in the guestroom. Youssef sarcastically says that Karima is not like other women.

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